This adventure was a bit of an accident – or happenstance as
it were. Invited by a friend to see Wilderbe perform, we planned for dinner and
a show – a night in downtown LA. I don’t get to downtown as much as I like, but
every time I do it seems the place is a little bit more reclaimed as a
destination.
Like any other city whose citizens fled for the suburbs
decades ago in search of space and quiet neighborhoods, Los Angeles’ downtown
suffered from neglect. Events like the Downtown Art Walk have slowly brought activity
to the downtown nights. Starting only with one night a month, new restaurants
and galleries have emerged and their success seems to have this slow but steady
momentum.
We should have had a clue when every restaurant within 3
blocks of the Theater District was booked solid. Somehow we managed an early
reservation at Industriel, which worked to our advantage – Valet parking for
$7. Besides the food, I was amused by their teaser frosted windows on Grand allowing
voyeuristic peeks into their kitchen.
After dinner we strolled to the venue and came upon a street
closure. It seems, the show we were going to see was a small part of a greater
event celebrating the revitalization of LA’s Theater district. I think
something like seven different theaters were open free to the public, with
Broadway blocked off, filled with food trucks, and a street party. It seems
this was year seven of a 10-year plan to reopen the closed theaters of Broadway
The hallmark of the even though as the Los Angeles Theater –
stepping into it was like walking into a time machine. Celebrating it’s own 84th
Anniversary, The Los Angeles Theater retains all the elements you’d expect
stepping for a night out on the town circa 1932. The Neoclassical details are
just what you’d expect from Hollywood’s opulent heyday. No wonder this
shuttered theater still makes its way into the movies as a readymade set.
My pictures don’t do it justice, the entrance is grand. The
stairs to the balcony take you past a fountain (filled on this occasion by two
mermaids). Downstairs, a bar that begs making a perfect Manhattan, and a Ladies
room that boasts an oval sitting room with individual vanities, perfect for
powdering one’s nose, and a full size, three-part mirror at the exit, to make
sure you are looking good from all angles.
We of course made even deeper archeological digs using our
cell phones as flashlights to check out the adjacent kids playroom, with a
circus tent ceiling, and wall freezes of giraffes, elephants, and clowns. It is
a crime that this place is not in regular use, but at the same time it’s a
treasure and a time capsule that surely would have been renovated into
nondescript functionality.
Seeing the theater alone would have made the evening worthwhile,
but seeing it in use, with Wilderbe was all the more spectacular. A
contemporary dance, performance art piece might seem out of place in such a
theater, but in an aesthetic that makes new from old, the theater itself was a
great found object. Wilderbe was a fun amalgamation of tribal circus dance
puppetry and theater, a nice sampling of their talents, and capabilities.
After the show we wandered the neighborhood trying to see as
much as we could before the theaters all closed. We slowly made our way beck to
the restaurant and our car, but stopped along the way to check out PershingSquare. I tried to create a chess set out of things I could find in my pocket,
but it seems even Pershing Square has a closing time and a security guard sent
us on our way.
There are three years left on this ten-year revitalization
plan. I hope this theater is both put to good use and preserved for future
urban archeologists.
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